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History of St Augustine’s Church, Solihull
The Church Building
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1760
Several acres of land known as “The Lion’s Field” on part of
which the present church stands was given by
Hugford Hassall, a
Catholic benefactor for the building of a priest’s house and
small Chapel. |
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Hugford
Hassall |
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1761
A
three-storey priest’s house was erected with a small
Chapel behind it. The yew tree positioned to the left
of the house remains today, next to the the "Lourdes
Grotto", marking the boundary of the garden. |

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1839
A new rectangular church (50 ft by 22 ft) designed by
Augustus Welby Northmoor Pugin was built in front of the
1761 priest’s house. St Augustine’s Church in Solihull has
been described as Pugin’s first church and it is undoubtedly
the oldest of Pugin’s existing churches. The building was
begun in 1838 and opened on 6th February 1839 with Pugin as
the cross bearer. It did not follow the traditional
orientation of Catholic churches which places the altar
facing East. Pugin’s altar faced almost South West. Hence
the references to “East” and “West” in relation to St
Augustine’s are purely conventional and not accurate
geographically. It is not known why the church was built
with the altar facing this way.
Three lancet windows were incorporated into the “West” wall
but were replaced in 1904 by the present three light
perpendicular window (Window 7). |
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1866
The “East” wall above the altar was opened to accommodate a
large five light perpendicular window (Window 1).
Window 1

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Window 7
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1878
Joseph Hansom of Hansom Cab fame designed a new priest’s
house adjacent to the Pugin church facing what is now Station
Road. The 1741 priest’s house was demolished to make room for a
Chancel to be added to the Pugin church. The “East” stained
glass window (Window 1) was relocated to the place where it
is currently situated. The Chancel is now known as the
Blessed Sacrament Chapel.
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1884
A small front porch was added. |
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1892
Pugin left the church undecorated except for the ceiling
which was painted blue with gold stars. In 1892 murals were
painted by Joseph A Pippet. The original altar, tabernacle and
piscina were designed by Pugin.
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1897
The original bell-turret was removed and the present
belfry, with a new bell, was erected. Sometime before 1904 a
choir gallery was erected in front of the three lancet windows
in the “West” wall. This was removed in 1979.
1904
The three lancet windows in the “West” wall were removed
and replaced with the present three light perpendicular window
(Window 7).
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1932
A “Lourdes grotto” was erected in the front garden. The
yew tree to its left is probably hundreds of years old as a
diameter of 15cm can represent 100 years of growth. The
Grotto was built free of cost by the Tarplee brothers.

1939
The Centenary of St Augustine's Church was celebrated
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1938 view of the Nave and Chancel and the Sanctuary

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1979
The 1878 presbytery was demolished to make room for the
extension of the church. The seating in the Pugin church was
turned through 90 degrees to face the new altar. A flat above
the sacristy was incorporated to provide accommodation for the
priest. The architect was Mr Brian Rush.

View from the new altar
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View from the choir gallery
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1990
The ceiling of the Blessed Sacrament Chapel was repainted
by Tony Nay using stencils to match the original patterns. Similarly the Pippet-painted angels on the “East” wall were
restored.

1992
Mr John Holmes designed a new presbytery.
2003
The side entrance porch was extended, when the Parish Hall was
renovated.
The Windows 
  

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Window 1
The “East” window (Window 1) was designed by John
Hardman Powell and made by John Hardman (son-in-law of Pugin).
It has five main lights with two upper receptacles corresponding to
each. The background is pale blue tinted glass with a Tudor rose
border. The central light depicts the Crucifixion. Our Lord is
surrounded by golden rays of sunlight and St Mary Magdalene is
kneeling at the foot of the Cross. Our lady is drawn in the
tradition of the Flemish school and is to the left of the Cross.
On the right is St John. The far left light is a picture of St
Augustine of Canterbury and on the far right is St Edward, King
and Confessor. Above each of these figures are the four
“Solihull Angels”. The donor, Father Edward Hodson (1849-1877)
is portrayed beneath the figure of St Augustine as a miniature. |
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Windows 2 and 3
Melchisedech and Abraham – designed by Joseph Pippet, drawn by Oswald Pippet and made by Hardman (1902).
The donor was Reverend M Glancy (1899-1908).
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Window 4
St James, St Chad, St George and St Elphege – designed
by Gabriel Pippet, drawn by Oswald Pippet and made by Hardman
(1900).
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Window 5
Venerable Bede, St Winifred, St Wilfred and St Hilda –
designed by Gabriel Pippet, drawn by Oswald Pippet and made by
Hardman (1900).
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Window 6
St Peter, St Maurice, St Maud and St Clare – designed
by Joseph Pippet, drawn by Oswald Pippet and made by Hardman
(1909).
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Window 7
The “West” window was designed and drawn by Elphege and
Oswald Pippet. Made by Harvey and Ashby Birmingham (1904). The
three light perpendicular window installed in the “West” wall in
1904 replaced the original three lancet window. The lights are
broad with a large surface area representing stonework. The donors were the children of
Joseph and Juliet Pippet.
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Window 8 St Bernard |
Window 9 St Bridget |
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Window 10
St Rose of Lima |
Window 11 St Thomas of Canterbury
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Window 12
Suffer Little Children |
Window 13 St Monica |
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Window 14 St Joseph and St Francis of Assisi |
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Window 15 The Good Shepherd and St Teresa |
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Window 16 Holy Michael Archangel and St Patrick |
Windows 8-16 were designed by Gabriel Pippet, drawn by Oswald
Pippet and made by Hardman, in memory of Canon O’Sullivan
(1877-1892).
Art Treasures
I
The Triptych
The origins of the triptych are uncertain. It is thought to be a
gift from Pugin. It is the work of a Flemish artist and though
painted later, it is in the style of the school of Rogier Van
Der Weyden (c 1397-1464). Wooden triptychs were often used as
portable altarpieces with their protective folding doors.
The central panel is a depiction of the Crucifixion with Our
Lady, St Mary Magdalene and St John. The figure of Our Lord
shows realistic detail with a piece of loincloth blown out
against the background. The figure of Our Lady with hidden hands
is similar to Van Der Weyden’s numerous paintings of the same
subject. Likewise St Mary Magdalene with her fifteenth century
dress. Unfortunately the flowing robes over St John’s shoulders
are all that remains of this part of the original painting. The
triptych has suffered from early attempts at restoration. The
background comprises miniatures of religious, civil and military
architecture, a panorama of a medieval city, river woodlands and
hills in the distance. A tiny aperture in the sky shows an image
of God the
Father.
The side panels’ subjects are St Jerome and St John the Baptist
on the left and St Anthony the Hermit and St Francis of Assisi
on the right.
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A 1938 picture of the Triptych shows three carved figures above
the central panel which have since been removed.
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II
Rood Cross
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In 1920 it was decided to
commission a memorial to the members of the congregation at
St Augustine’s that had died in the 1914-1918 War. A large
hanging rood cross and brass plate were placed in the
church. The cross was made by J. and W. Thompson and
decorated by Odilia and Regina Pippet. The figure came from
the Tyrol and was painted by Elphege Pippet. The plate is
inscribed:
“The rood hanging above this spot was erected in memory of
the following members of this congregation:-
2nd Lt James H Cremonini, Cyril Collett, Daniel J Ferns, Frank Holland,
Philip Powell, Wilfred Sutton, Robert Woods who gave their
lives in the War 1914-1918. May they rest in peace, Amen.”
The plate is currently placed below the Tabernacle whilst
the Cross hangs on the wall that divides the old part of the
church from the new.

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III
Ivory Cross
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The seventeenth century Italian Ivory Crucifix is positioned in
the Blessed Sacrament Chapel. It is believed it was a gift from
Pugin. The natural curve in the original tusk has been used to
represent the strained position of Our Lord’s body.
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Statues
The stone statues of the Sacred Heart (A)
and Our Lady
Queen of Heaven (G)
were
carved by John Roddis of Aston and given by Joseph Pippet in
memory of his parents in 1892. The stone canopy above the Sacred
Heart is carved in fifteenth century Gothic style.
St Peter (C)
and St Paul (D)
St Joseph (B)
and St Augustine (H)
are also carved in stone by Martyn of Cheltenham and have oak
canopies. The iron candle coronnas were given by Canon Glancey.
The angels at (E) and (F) stand either side of Window 7.

St Augustine Mosaic
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The mosaic of St Augustine above the 1884 front porch was
designed and executed by Gabriel Pippet.
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Parish Priests
of St Augustine's: |
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Fr John
Waring OFM
Fr Joseph Howse OFM
Fr
William Pursell OFM
Fr
James Sumner OFM
Fr
James Millward OFM
Fr
John Davison
Fr
William Ilsley
Fr
Joseph Lycett
Fr
Edward Hodson
Can Michael O'Sullivan
Fr
James McCave
Can Michael Glancey
Fr
Victor Schobel
Can
George Williams
Mgr Charles Cronin
Fr
Walter Poulton
Fr
John Rowan
Fr
Joseph Emery
Fr Henry Taylor
Fr Edward Stewart
Fr Frederick Sheldon
Can Laurence Kelly
Fr Peter Smith
Fr
Dominic Kavanagh
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1776-1786
1786-1818
1818-1820
1820-1821
1821-1832
1832-1836
1836-1840
1840-1849
1849-1877
1877-1892
1892-1899
1899-1908
1908-1909
1909-1916
1917-1921
1921-1924
1924-1935
1935-1949
1949-1976
1976-1981
1981-1991
1991-2002
2002-2005
2005-
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The Reverend Joseph Howse
1786-1818 |

The Very Reverend Michael Canon O'Sullivan
1877-1892
The Very Reverend Michael Canon
Glancey
1899-1908
The Very Reverend George Canon
Williams
1909-1916
The Right Rev. Mgr. Charles Cronin
1917-1921

The Reverend J
J Rowan
!924-1935 |
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We are indebted to
Bernard Malley who wrote "Solihull and the Catholic Faith"
in 1939 to mark the centenary of St Augustine's Church.
Much of the information about the Church has been taken from
this book.
Our thanks
also to Fr Timothy Ford for the use of his photographs.

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